At every step, we feel we are seeing what could and would naturally happen next - not because of coincidence or contrivance, but because of the natures of the people involved.
#HOUSE OF SAND AND FOG KICKASS.TO MOVIE#
There is much more that the movie will unfold to you, but although I will not reveal it, it isn't in the nature of a surprise plot development. There is a moment when they start sharing an empty cottage in the woods, and as he leaves, she asks if he'll come back, and then quickly adds, "I'll understand if you don't."īut he holds himself to a bargain he should not have made and cannot fulfill, and because he is not a moral man he brings unimaginable suffering into the lives of Kathy and the Behrani family, who in all of their dealings after all acted only as good people would from strong motives. Lester says he will leave his wife and family for Kathy, and although maybe he will, he certainly shouldn't. It is fair enough to fight for your home and family, but not fair to misuse your uniform - not even if your excuse is love, or what is spoken of as love. If we are keeping a moral accounting, then his is the blame for what eventually happens. Into the lives of these two blameless parties comes a third, Lester Burdon ( Ron Eldard), the deputy sheriff who evicts Kathy but is touched by her grief, then stirred by her beauty.
This is his last chance to keep up appearances for his wife and son, and to look substantial in the eyes of his daughter's new Iranian husband and in-laws. But we know, from looking into his books (where every Snickers bar is accounted for) that he is almost broke. Yes, perhaps, Massoud should agree with Kathy's public defender ( Frances Fisher) and sell the house back for what he paid. Yes, Kathy should have opened her mail and paid her taxes.
After she is evicted, she drives past her house in disbelief, seeing this foreigner with his family and his furniture, and one night she sleeps in her car, right outside the gate.īoth of these people desperately need this house. She hasn't had a drink in three years, but is depressed by the departure of her husband, has started smoking again, has needed this shock to blast her out of her lethargy. The brother lives in the East, sometimes lends her money, is not sure he believes she is clean and sober. The house was left to her and her brother when their father died.
Yes, Massoud has memories, of the good life they led and their shore cottage in Iran. When the wealthy have a fall, the luxury car is often the last treasure to go better an expensive old car than a cheap new one. We see Massoud working on a highway construction gang, washing himself in a rest room, getting into a Mercedes, and driving to his other job, as an all-night clerk in an roadside convenience store. The director and co-writer, Vadim Perelman, doesn't lay out the plot like bricks on a wall, but allows it to reveal itself. She neglects warnings from the county, the house is put up for auction, and it is purchased by Massoud Amir Behrani ( Ben Kingsley), an Iranian immigrant who was a colonel in the Shah's air force but now works two jobs to support his family, and dreams that this house is the first step in rebuilding the lives of his wife and son. She has fallen behind on the taxes for her modest split-level home that has a view, however distant, of the California shore. Kathy Nicolo ( Jennifer Connelly), a recovering alcoholic, has been living alone since her husband walked out eight months ago.
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